Depiction：
〈Urban Planning for Travellers-Home III〉 presents the lived reality of the artist as a mother. In the overlapping rhythms of childcare and creative work, Tsui Yung-Yen once felt overwhelmed by the conflicting demands of her multiple roles. Yet through time spent with her child, she gradually realized that these identities were never truly separate. The child's play and the fragments of daily life were not interruptions to her practice—they had already become part of the work itself. This piece embodies the state of a newly reborn mother: exhausted yet fulfilled, gathering strength, preparing to soar again. The surrounding branches of the forest and the two birds represent two intertwined rebirths—one of the child, and one of the mother, rediscovering life’s simplicity, clarity, and wonder through her child’s eyes. When her wings are once again ready, she lifts off from the forest, embracing her own renewal, and takes flight.
