In the realm of New Ink Painting, Irene Chou’s
art represents the feminine (chun yin)
principle that has no commerce with the
ideology of destruction. Chou breaks away
from the paths followed by Wucius Wong and
Liu Guosong to open up an entirely new
universe. Although, like Liu, she deals with
cosmic themes, Chou’s gaze reveals a cosmos
of conception, birth and reproduction: the life-
energy of nature. She experiences landscape
as beginning in the physical body, and uses the
imagery of the interior body to manifest the
landscape form. From early on, she had
evoked the ovarian channel, into which small
cell-like pellets appear to transform into
stellar bodies. Chou uses bold, sweeping
brushstrokes to delineate her universe, which
she then develops into constellations and
evolving galaxies.