都市漂流:木瓜牛奶的陽光 – ART TAINAN OVR 台南藝術博覽會線上展廳
Home Gallery 99° Art Center Chung-Wei LIN Urban Drifting: The Sunshine of Papaya Milk

Urban Drifting: The Sunshine of Papaya Milk

  • Size:60.5×91cm
  • Material:Oil on canvas
  • Year:2024
  • Price:台幣 NT$90,000
  • Depiction:
    Lin Chung-Wei Born in Taipei, 1989 **Education** 2011: Bachelor of Fine Arts, National Taiwan University of Arts 2019: Master of Fine Arts, Taipei National University of the Arts **Exhibitions** 2025: "ART TAINAN 2025 Tainan Art Fair," 99 Art Center, Chihpen Hotel, Tainan, Taiwan 2024: "ART TAIPEI 2024," 99 Art Center, Taipei, Taiwan 2024: "ART TAICHUNG 2024," 99 Art Center, Taichung, Taiwan 2024: "Yuheng Tainan Group Exhibition," Yuheng Art Center, Tainan, Taiwan 2024: "NIGHT ART FAIR TAIPEI 2024," 99 Art Center, Shin Kong Mitsukoshi, Taipei, Taiwan 2024: "ONE ART TAIPEI 2024," 99 Art Center, JR East Japan Hotel, Taipei, Taiwan 2023: "ART TAINAN 2023 Tainan Art Fair," 99 Art Center, Chihpen Hotel, Tainan, Taiwan 2022: "ART TAINAN 2022 Tainan Art Fair," 99 Art Center, Chihpen Hotel, Tainan, Taiwan 2022: "2022 Kaohsiung Art Fair," 99 Art Center, Pier-2 Art Center, Kaohsiung, Taiwan 2022: "ART TAICHUNG 2022," 99 Art Center, Lin Hotel, Taichung, Taiwan 2022: "ONE ART TAIPEI 2022," 99 Art Center, Xihua Hotel, Taipei, Taiwan 2021: "Falling in Love with Someone Who Won't Come Home," Solo Exhibition by Lin Chung-Wei, 99 Art Center, Taipei, Taiwan 2021: "ART TAICHUNG 2021," 99 Art Center, Millennium Hotel, Taichung, Taiwan 2020: "ART TAICHUNG 2020," 99 Art Center, Millennium Hotel, Taichung, Taiwan 2019: "Urban Drifting," Solo Exhibition by Lin Chung-Wei, S7 Art Gallery, Taipei, Taiwan 2018: "Nanying Award Exhibition," Group Exhibition, Xinying Cultural Center, Tainan, Taiwan 2018: "Urban Drifting: The Traveler Who Does Not Return Home," Solo Exhibition by Lin Chung-Wei, Mizutani Art, Taipei, Taiwan 2017: "Those Reckless Days," Wangdao Bank Art Exhibition, Taipei, Taiwan 2016: "Taipei International Audio Art Exchange Expo 2016 ART SQUARE TAIPEI" (Taiwan Art Company), Howard Plaza Hotel, Taipei, Taiwan 2016: "Kaohsiung Art Fair ART KAOHSIUNG 2016" (Taiwan Art Company), City Suites, Kaohsiung, Taiwan 2016: "Emerging Talent Collection Group Exhibition," Taiwan Art Corporation, Kaohsiung, Taiwan 2016: "Different Perspectives – Artist Residency Group Exhibition," Taiwan Art Corporation, Kaohsiung, Taiwan 2015: "Young Art Kaohsiung 2016," Pier-2 Art Center, Kaohsiung, Taiwan 2014: "Quiet Little Explosion," Group Exhibition, Mizutani Art, Taipei, Taiwan 2014: "==> Home," Group Exhibition, Red Art Space, Taoyuan, Taiwan 2014: "Different Arts," Group Exhibition, National Taiwan University of Arts Underground Art Museum, New Taipei, Taiwan 2012: "On The Road," Group Exhibition, National Taiwan University of Arts Underground Art Museum, New Taipei, Taiwan 2011: "100Blows," Group Exhibition, Four Four South Village (Xinyi Citizen Hall), Taipei, Taiwan 2011: "Was tun?" Group Exhibition, National Taiwan University of Arts, New Taipei, Taiwan 2010: "We Have Very Long Arms," Group Exhibition, Beitou Citizen Hall, New Taipei, Taiwan 2009: "Shy Faces," Group Exhibition, Shilin Citizen Hall, Taipei, Taiwan **Awards** 2020: Selected for the New Taipei City Fine Arts Exhibition, Oil Painting Category 2018: Nanying Award, Honorable Mention 2015: Selected for the Hongmei New Artist Award 2008: First Place in the Taiwan University Cup Campus Sketching Competition 2006: First Place in the National Student Art Exhibition 2006: First Place in the Keelung Student Art Exhibition **Collections** 2022: "After Work Date," Art Bank, Taichung, Taiwan **Artist’s Creative Philosophy** With a delicate realistic style, Lin Chung-Wei depicts various aspects of contemporary society through the observation and portrayal of living organisms. In works like *The Dark Side of the Slaughterhouse*, he explores issues related to genetic modification and the nature of life. In his *Urban Drifting* series, the image of goldfish wandering through the city conveys a sense of alienation and the loneliness of travelers in urban life. Much like films that adapt real-life stories, Lin's works aim to immerse the audience, drawing them into the social realities, struggles, and challenges that we all experience. These stories, close to our lives, are not only relatable to anyone in society but could happen to any of us or those around us. Lin Chung-Wei uses anthropomorphism to subtly suggest that the goldfish in his paintings are metaphors for solitary drifters in the city. He seeks to expand the interpretative space for his viewers, inviting them to co-create the work in their minds, thus achieving an interactive experience between the artist and the audience.

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