The bygone coastline II

Continuing the exploration of the experience of migration and memory, the work draws on the landscape of Taoyuan's Beitang, which has been transformed as a result of urban renewal. Based on the photographic archives, the work uses printmaking techniques to deconstruct and reorganize the images, translating digital photography into negative visualization, and turning them into a “positive” text that is worthy of viewing. The work re-examines the way of viewing traditional images, so that the image is not only a one-way record, but also transformed into a multi-layered trace of time. Through the change of media, the viewer can wander between the image and the material, and perceive the fluidity of memory and space.